Space Drawing Perspective Dongho Kim
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All in all, this book is a wonderful look at the works of Dongho Kim. He has found a way to combine his artistic skills with the concept of “space,” a concept that has been around for a very long time and is very difficult to convey to an audience. Despite its simplicity, this book is still full of personality. It represents a step forward in the way that perspective is taught, and that should help people understand it more in the future.
In the final page of this book, Kim takes on the role of a tour guide. He is dressed in a bright red coat and a traditional white hat. He holds a group of tourists in his arms while pointing them towards the North Korea-China border. The perspective is very traditional, showing the visitors approaching a river. The large scale of the illustration allows it to hold the attention of the viewer and communicate the size of the area that needs to be crossed to get to the North.
Despite the obvious influence of the works of great illustrators such as Norman Rockwell or Ernie Bushmiller, Kim’s illustrations are striking for their lack of technique. They consist of simple lines, highly stylized perspective, and an eclectic mix of shapes and forms. The general feel of the illustrations gives you a sense of realism, but it is not quite there. It is more about taking away the distractions and focus on the elements that make up the pieces. The color of this page is striking as well. All the lines are very dark, which gives the illustration a black and white feel to it. Kim’s use of this color is not for a dramatic effect, but to bring a sense of humanity into his work. Even though this book is about a very serious topic, the author uses a more lighthearted sense of humor to present his message.
The next page shows a more serious side of Kim’s work. It depicts a man in traditional Korean dress. He is walking along the seashore with a traditional round hat and holds a bunch of bok choy in one hand. In his other hand, he holds his jacket, which is folded in a way that it still covers his face. It is a very realistic illustration, which shows Kim’s dedication to capturing the human form and his ability to communicate the mood in his illustrations.
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